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California State University, Dominguez Hills
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Created: July 27, 2003
Latest Update: November 6, 2008
jeannecurran@habermas.org
takata@uwp.edu
CRMJ 385 Media, Crime, Criminal JusticeYou will be held accountable for the readings and discussion questions listed here. There will be no "testing." That means that you will not have to live in anxious anticipation of what we will ask and how much you will have to know. Instead, we will provide weekly discussion questions, lectures, essays, and concepts we feel that you should know as a result of having taken this course. You will assure us of that learning and receive your grade for the questions and concepts about which you choose to write and talk with us. In addition you will find detailed explanations and examples on our grading policies in the first week's reading.![]()
"Media, Crime, Criminal Justice" Cards
* * * * * Week 12: Week of November 16, 2008
Monday, November 17th -- Deadline for one-page second visual project progress report. You should be researching your pre-approved visual project topic.
Beginning Monday, November 17th -- Sign up for your second meeting. These meetings to begin on Monday, December 1st.
Topic: Media and Crime Control
Preparatory Readings:
- Rafter . Shots in the Mirror. Chapters 7.
- Surette . Media, Crime and Criminal Justice . Chapters 7.
- Potter and Kappeler. Constructing Crime. - entire text.
- Movie: "Reefer Madness" (to be shown in class)
- Metaphor and Theory. Read the Blind Men and the Elephant fable. Think about how this fable relates to the course.
- "theory, policy, practice"
- W.I. Thomas "Definition of the Situation
Lecture related links:
Concepts to be covered:
- the different types of crime film narratives
- the different types of crime film heroes
- prosocial television
- public service announcements (PSAs)
- anticrime efforts
- offender deterrence programs
- victimization reduction programs
Discussion Questions:
Note: Incorporate this week's movie into your answers.
- Briefly describe each different type of crime film narrative. Today, which type of crime film narrative is the most popular? Why. Provide an example to better illustrate your point. In Rafter's discussion of the types of crime film heroes, which is the most prevalent today? Why. Provide an example to better illustrate your point.
- Do you think the media are more effective at influencing offenders or victims of crime? [Surette, 1998, p. 193]
- Why has media technology been so readily embraced as a solution for various criminal justice tasks? [Surette, p. 197]
- Where and when are surveillance cameras acceptable? Does it matter if they are hidden or openly viewed? Does it matter who is watching? Do people have the right to be informed that they are within the view of a surveillance system? [Surette, p. 197]
- Are the media more effective as a cure for crime or more damaging as a cause of crime? Why. [Surette, 1998, p. 193]
Suggested Visual Projects/Creative Measures:
Note: Your visual projects/creative measure: a) Must relate to "media, crime, and the criminal justice system." b) Must be approved before starting your creative measure. c) Cannot be something that you are doing or have done for another course. d) Research cannot be 100% online (i.e., google, askjeeves). e) Must conduct library research using scholarly works, (not the popular press -- Time Magazine, Newsweek, Sports Illustrated). No term papers! Email me your visual project idea/topic.
Self-Assessment Questions for each Visual Project:
Recommended Readings:
Course Syllabus for CRMJ 385 "Media, Crime, Criminal Justice"
Media Sources:
Left/Right Perspectives - Cursor - New York Times
Arts and Letters Daily - The Economist - The Guardian
Wall Street Journal -The Weekly Standard - The Nation
Los Angeles Times - Chicago Tribune - The Washington Post
Cursor's Al Jazeera Archive - Ha'aretz - Palestine Monitor
Indymedia - BBC News - New Profile - Progressive Sociologists Network
takata@uwp.edu
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